A Gentleman in Moscow by Amor Towles

Readable, diverting book about reconciling oneself to changed circumstances, and to keeping your chin up in the face of adversity. Unfortunately it is also Russian literature-lite, a kind of Oprah's Book Club version of the real thing: the author apes the style of a real Russian novel, and his characters' comportment and dialogue ape what you'd find in real Russian literature.

Maybe this might lead a few curious readers to actual Russian literature (see the Russian Lit Starter Pack at the end of this post). If so, then it's good that this novel exists.

The story revolves around Alexander Rostov, a Russian aristocrat deemed a "Former Person" by the Bolshevik regime and sentenced, implausibly, to lifetime house arrest in Moscow's famous Metropol Hotel. In the decades to follow Rostov lives out his life in this hotel as a sort of reverse Forrest Gump: all the world's interesting people come to him.

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Rostov is a good example of a Mary Sue character: perfect in nearly every way, always ready with the consummate bon mot, an unerring observer of human nature, and an expert in whatever arbitrary skill the storyline requires: classical music, literature, orology, gourmanderie, oenology, marksmanship--even pilferage (in one particularly far-fetched plot event late in the book).

For a reader to swallow this novel's fundamental premise (that Rostov, rather than being summarily executed, would be put under house arrest in one of the world's finest hotels where he could somehow, for free, still eat in the hotel's restaurants, drink at the bar, wander the halls, seduce actresses, and, eventually, help teach European and American culture to powerful Bolshevik apparatchiks) requires either complete ignorance of Soviet-era history or a gravity-defying suspension of disbelief. Get past that and the story will carry you along harmlessly.

Russian Literature Starter Pack:

Anton Chekhov short stories

Ivan Turgenev: Fathers and Sons; Torrents of Spring

Nikolai Gogol: Dead Souls; see also his short story "The Overcoat"

Fyodor Dostoyevsky: The Brothers Karamazov

Leo Tolstoy: Anna Karenina

How to Survive and Thrive in the Coming Wave of Deflation by A. Gary Shilling

I'd like to accomplish two things with this review of a book that, frankly, isn't worth a close read. First, I'll briefly point to the specific sections of the book readers can skim to extract most of the book's value--see the next paragraph for that part. Second, I want to use this book--which is the macroeconomic prediction equivalent of a man with a hammer--to expose the "expert prediction" game and illustrate how dangerous it is to credulously follow so-called expert predictions, especially when it comes to stock markets and economics. We'll start with what to skip and skim. A time-constrained reader can extract 99% of the value of the book by skimming parts 3 and 4 (pages 209-331) and studying the two charts on pages 330 and 331, which spell out all the dos and don'ts for surviving deflation. Readers might also consider reading Chapter 15 for its discussion of the Kondratieff wave concept, a useful mental model for thinking about cyclicality in a...

Generative Energy: Restoring the Wholeness of Life by Ray Peat

A disorganized book by a highly-censored medical iconoclast. Despite its sloppiness, it will still send you down a lot of good rabbit holes. I don't recommend a labored, close reading of this book: just use it as an introduction to Ray Peat's dissident health and physiology ideas. In certain ways, we can think of Ray Peat, along with Robert Mendelsohn and Ivan Illich , as direct ancestors of the courageous COVID-era medical dissidents: doctors like Peter McCullough, Mary Talley Bowden, Pierre Kory, Kirk and Kimberly Milhoan, Paul Marik, Meryl Nass and Peter Gotszche, among others, who bravely spoke out against foolish lockdowns, hospital protocols, government mandates and the use of risky (but of course highly lucrative) therapeutics like Remdesivir--and were censored, suspended or fired for it. [1] As a general rule: in any knowledge domain you should always know who the dissident thinkers are. They are usually the ones who were right all along. [2] [A quick affiliate link ...

The Hunchback of Notre Dame by Victor Hugo (trans. Frederic Shoberl)

This is one of these novels that must be read, and as you read it, you'll feel sheepish that you haven't already read it. The French are lucky to have this author. I'll talk about the story itself shortly. But what surprises a modern reader most about The Hunchback of Notre Dame is how experimental it is, especially for its time. See for instance how Victor Hugo frequently breaks the fourth wall, or how he plays with the readers' perceptions of who, exactly, are the story's "good" and "bad" characters. The reader doesn't really see Claude Frollo for who he is until nearly halfway through the story, and on some level the story actually has multiple protagonists and antagonists, all sharing various and unusual allegiances to each other. Hunchback of course has plenty of the usual 19th century novel characteristics, but also enough experimental qualities that I think it's fair to call this a proto-modern novel. What vastly separates this w...

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